Read Like A Writer

There are two ways to learn how to write fiction: by reading it and by writing it. Yes, you can learn lots about writing stories in workshops, in writing classes and writing groups, at writers' conferences. You can learn technique and process by reading the dozens of books like this one on fiction writing and by reading articles in writers' magazines. But the best teachers of fiction are the great works of fiction themselves. You can learn more about the structure of a short story by reading Anton Chekhov's 'Heartache' than you can in a semester of Creative Writing 101. If you read like a writer, that is, which means you have to read everything twice, at least. When you read a story or novel the first time, just let it happen. Enjoy the journey. When you've finished, you know where the story took you, and now you can go back and reread, and this time notice how the writer reached that destination. Notice the choices he made at each chapter, each sentence, each word. (Every word is a choice.) You see now how the transitions work, how a character gets across a room. All this time you're learning. You loved the central character in the story, and now you can see how the writer presented the character and rendered her worthy of your love and attention. The first reading is creative—you collaborate with the writer in making the story. The second reading is critical.


John Dufresne, from his book, The Lie That Tells A Truth: A Guide to Writing Fiction

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Showing posts with label How to Study The Best Short Stories. Show all posts
Showing posts with label How to Study The Best Short Stories. Show all posts

Tuesday, October 4, 2016

A Jury of Her Peers by Susan Glaspell

A JURY OF HER PEERS

By SUSAN GLASPELL

From Every Week



When Martha Hale opened the storm-door and got a cut of the north wind, she ran back for her big woolen scarf. As she hurriedly wound that round her head her eye made a scandalized sweep of her kitchen. It was no ordinary thing that called her away—it was probably farther from ordinary than anything that had ever happened in Dickson County. But what her eye took in was that her kitchen was in no shape for leaving: her bread all ready for mixing, half the flour sifted and half unsifted.

She hated to see things half done; but she had been at that when the team from town stopped to get Mr. Hale, and then the sheriff came running in to say his wife wished Mrs. Hale would come too—adding, with a grin, that he guessed she was getting scarey and wanted another woman along. So she had dropped everything right where it was.

"Martha!" now came her husband's impatient voice. "Don't keep folks waiting out here in the cold."

She again opened the storm-door, and this time joined the three men and the one woman waiting for her in the big two-seated buggy.

After she had the robes tucked around her she took another look at the woman who sat beside her on the back seat. She had met Mrs. Peters the year before at the county fair, and the thing she remembered about her was that she didn't seem like a sheriff's wife. She was small and thin and didn't have a strong voice. Mrs. Gorman, sheriff's wife before Gorman went out and Peters came in, had a voice that somehow seemed to be backing up the law with every word. But if Mrs. Peters didn't look like a sheriff's wife, Peters made it up in looking like a sheriff. He was to a dot the kind of man who could get himself elected sheriff—a heavy man with a big voice, who was particularly genial with the law-abiding, as if to make it plain that he knew the difference between criminals and non-criminals. And right there it came into Mrs. Hale's mind, with a stab, that this man who was so pleasant and lively with all of them was going to the Wrights' now as a sheriff.

"The country's not very pleasant this time of year," Mrs. Peters at last ventured, as if she felt they ought to be talking as well as the men.

Mrs. Hale scarcely finished her reply, for they had gone up a little hill and could see the Wright place now, and seeing it did not make her feel like talking. It looked very lonesome this cold March morning. It had always been a lonesome-looking place. It was down in a hollow, and the poplar trees around it were lonesome-looking trees. The men were looking at it and talking about what had happened. The county attorney was bending to one side of the buggy, and kept looking steadily at the place as they drew up to it.

"I'm glad you came with me," Mrs. Peters said nervously, as the two women were about to follow the men in through the kitchen door.

Even after she had her foot on the door-step, her hand on the knob, Martha Hale had a moment of feeling she could not cross that threshold. And the reason it seemed she couldn't cross it now was simply because she hadn't crossed it before. Time and time again it had been in her mind, "I ought to go over and see Minnie Foster"—she still thought of her as Minnie Foster, though for twenty years she had been Mrs. Wright. And then there was always something to do and Minnie Foster would go from her mind. But now she could come.

 

The men went over to the stove. The women stood close together by the door. Young Henderson, the county attorney, turned around and said, "Come up to the fire, ladies."

Mrs. Peters took a step forward, then stopped. "I'm not—cold," she said.

And so the two women stood by the door, at first not even so much as looking around the kitchen.

The men talked for a minute about what a good thing it was the sheriff had sent his deputy out that morning to make a fire for them, and then Sheriff Peters stepped back from the stove, unbuttoned his outer coat, and leaned his hands on the kitchen table in a way that seemed to mark the beginning of official business. "Now, Mr. Hale," he said in a sort of semi-official voice, "before we move things about, you tell Mr. Henderson just what it was you saw when you came here yesterday morning."

The county attorney was looking around the kitchen.

"By the way," he said, "has anything been moved?" He turned to the sheriff. "Are things just as you left them yesterday?"

Peters looked from cupboard to sink; from that to a small worn rocker a little to one side of the kitchen table.

"It's just the same."

"Somebody should have been left here yesterday," said the county attorney.

"Oh—yesterday," returned the sheriff, with a little gesture as of yesterday having been more than he could bear to think of. "When I had to send Frank to Morris Center for that man who went crazy—let me tell you, I had my hands full yesterday. I knew you could get back from Omaha by to-day, George, and as long as I went over everything here myself—"

"Well, Mr. Hale," said the county attorney, in a way of letting what was past and gone go, "tell just what happened when you came here yesterday morning."

Mrs. Hale, still leaning against the door, had that sinking feeling of the mother whose child is about to speak a piece. Lewis often wandered along and got things mixed up in a story. She hoped he would tell this straight and plain, and not say unnecessary things that would just make things harder for Minnie Foster. He didn't begin at once, and she noticed that he looked queer—as if standing in that kitchen and having to tell what he had seen there yesterday morning made him almost sick.

"Yes, Mr. Hale?" the county attorney reminded.

"Harry and I had started to town with a load of potatoes," Mrs. Hale's husband began.

Harry was Mrs. Hale's oldest boy. He wasn't with them now, for the very good reason that those potatoes never got to town yesterday and he was taking them this morning, so he hadn't been home when the sheriff stopped to say he wanted Mr. Hale to come over to the Wright place and tell the county attorney his story there, where he could point it all out. With all Mrs. Hale's other emotions came the fear now that maybe Harry wasn't dressed warm enough—they hadn't any of them realized how that north wind did bite.

"We come along this road," Hale was going on, with a motion of his hand to the road over which they had just come, "and as we got in sight of the house I says to Harry, 'I'm goin' to see if I can't get John Wright to take a telephone.' You see," he explained to Henderson, "unless I can get somebody to go in with me they won't come out this branch road except for a price I can't pay. I'd spoke to Wright about it once before; but he put me off, saying folks talked too much anyway, and all he asked was peace and quiet—guess you know about how much he talked himself. But I thought maybe if I went to the house and talked about it before his wife, and said all the women-folks liked the telephones, and that in this lonesome stretch of road it would be a good thing—well, I said to Harry that that was what I was going to say—though I said at the same time that I didn't know as what his wife wanted made much difference to John—"

Now, there he was!—saying things he didn't need to say. Mrs. Hale tried to catch her husband's eye, but fortunately the county attorney interrupted with:

"Let's talk about that a little later, Mr. Hale. I do want to talk about that, but I'm anxious now to get along to just what happened when you got here."

When he began this time, it was very deliberately and carefully:

"I didn't see or hear anything. I knocked at the door. And still it was all quiet inside. I knew they must be up—it was past eight o'clock. So I knocked again, louder, and I thought I heard somebody say, 'Come in.' I wasn't sure—I'm not sure yet. But I opened the door—this door," jerking a hand toward the door by which the two women stood, "and there, in that rocker"—pointing to it—"sat Mrs. Wright."

Every one in the kitchen looked at the rocker. It came into Mrs. Hale's mind that that rocker didn't look in the least like Minnie Foster—the Minnie Foster of twenty years before. It was a dingy red, with wooden rungs up the back, and the middle rung was gone, and the chair sagged to one side.

"How did she—look?" the county attorney was inquiring.

"Well," said Hale, "she looked—queer."

"How do you mean—queer?"

As he asked it he took out a note-book and pencil. Mrs. Hale did not like the sight of that pencil. She kept her eye fixed on her husband, as if to keep him from saying unnecessary things that would go into that note-book and make trouble.

Hale did speak guardedly, as if the pencil had affected him too.

"Well, as if she didn't know what she was going to do next. And kind of—done up."

"How did she seem to feel about your coming?"

"Why, I don't think she minded—one way or other. She didn't pay much attention. I said, 'Ho' do, Mrs. Wright? It's cold, ain't it?' And she said, 'Is it?'—and went on pleatin' at her apron.

"Well, I was surprised. She didn't ask me to come up to the stove, or to sit down, but just set there, not even lookin' at me. And so I said: 'I want to see John.'

"And then she—laughed. I guess you would call it a laugh.

"I thought of Harry and the team outside, so I said, a little sharp, 'Can I see John?' 'No,' says she—kind of dull like. 'Ain't he home?' says I. Then she looked at me. 'Yes,' says she, 'he's home.' 'Then why can't I see him?' I asked her, out of patience with her now. ''Cause he's dead,' says she, just as quiet and dull—and fell to pleatin' her apron. 'Dead?' says I, like you do when you can't take in what you've heard.

"She just nodded her head, not getting a bit excited, but rockin' back and forth.

"'Why—where is he?' says I, not knowing what to say.

"She just pointed upstairs—like this"—pointing to the room above.

"I got up, with the idea of going up there myself. By this time I—didn't know what to do. I walked from there to here; then I says: 'Why, what did he die of?'

"'He died of a rope round his neck,' says she; and just went on pleatin' at her apron."

 

Hale stopped speaking, and stood staring at the rocker, as if he were still seeing the woman who had sat there the morning before. Nobody spoke; it was as if every one> were seeing the woman who had sat there the morning before.

"And what did you do then?" the county attorney at last broke the silence.

"I went out and called Harry. I thought I might—need help. I got Harry in, and we went upstairs." His voice fell almost to a whisper. "There he was—lying over the—"

"I think I'd rather have you go into that upstairs," the county attorney interrupted, "where you can point it all out. Just go on now with the rest of the story."

"Well, my first thought was to get that rope off. It looked—"

He stopped, his face twitching.

"But Harry, he went up to him, and he said, 'No, he's dead all right, and we'd better not touch anything.' So we went downstairs.

"She was still sitting that same way. 'Has anybody been notified?' I asked. 'No,' says she, unconcerned.

"'Who did this, Mrs. Wright?' said Harry. He said it businesslike, and she stopped pleatin' at her apron. 'I don't know,' she says. 'You don't know?' says Harry. 'Weren't you sleepin' in the bed with him?' 'Yes,' says she, 'but I was on the inside.' 'Somebody slipped a rope round his neck and strangled him, and you didn't wake up?' says Harry. 'I didn't wake up,' she said after him.

"We may have looked as if we didn't see how that could be, for after a minute she said, 'I sleep sound.'

"Harry was going to ask her more questions, but I said maybe that weren't our business; maybe we ought to let her tell her story first to the coroner or the sheriff. So Harry went fast as he could over to High Road—the Rivers' place, where there's a telephone."

"And what did she do when she knew you had gone for the coroner?" The attorney got his pencil in his hand all ready for writing.

"She moved from that chair to this one over here"—Hale pointed to a small chair in the corner—"and just sat there with her hands held together and looking down. I got a feeling that I ought to make some conversation, so I said I had come in to see if John wanted to put in a telephone; and at that she started to laugh, and then she stopped and looked at me—scared."

At sound of a moving pencil the man who was telling the story looked up.

"I dunno—maybe it wasn't scared," he hastened; "I wouldn't like to say it was. Soon Harry got back, and then Dr. Lloyd came, and you, Mr. Peters, and so I guess that's all I know that you don't."

 

He said that last with relief, and moved a little, as if relaxing. Every one moved a little. The county attorney walked toward the stair door.

"I guess we'll go upstairs first—then out to the barn and around there."

He paused and looked around the kitchen.

"You're convinced there was nothing important here?" he asked the sheriff. "Nothing that would—point to any motive?"

The sheriff too looked all around, as if to re-convince himself.

"Nothing here but kitchen things," he said, with a little laugh for the insignificance of kitchen things.

The county attorney was looking at the cupboard—a peculiar, ungainly structure, half closet and half cupboard, the upper part of it being built in the wall, and the lower part just the old-fashioned kitchen cupboard. As if its queerness attracted him, he got a chair and opened the upper part and looked in. After a moment he drew his hand away sticky.

"Here's a nice mess," he said resentfully.

The two women had drawn nearer, and now the sheriff's wife spoke.

"Oh—her fruit," she said, looking to Mrs. Hale for sympathetic understanding. She turned back to the county attorney and explained: "She worried about that when it turned so cold last night. She said the fire would go out and her jars might burst."

Mrs. Peters' husband broke into a laugh.

"Well, can you beat the women! Held for murder and worrying about her preserves!"

The young attorney set his lips.

"I guess before we're through with her she may have something more serious than preserves to worry about."

"Oh, well," said Mrs. Hale's husband, with good-natured superiority, "women are used to worrying over trifles."

The two women moved a little closer together. Neither of them spoke. The county attorney seemed suddenly to remember his manners—and think of his future.

"And yet," said he, with the gallantry of a young politician, "for all their worries, what would we do without the ladies?"

The women did not speak, did not unbend. He went to the sink and began washing his hands. He turned to wipe them on the roller towel—whirled it for a cleaner place.

"Dirty towels! Not much of a housekeeper, would you say, ladies?"

He kicked his foot against some dirty pans under the sink.

"There's a great deal of work to be done on a farm," said Mrs. Hale stiffly.

"To be sure. And yet"—with a little bow to her—"I know there are some Dickson County farm-houses that do not have such roller towels." He gave it a pull to expose its full length again.

"Those towels get dirty awful quick. Men's hands aren't always as clean as they might be."

"Ah, loyal to your sex, I see," he laughed. He stopped and gave her a keen look. "But you and Mrs. Wright were neighbors. I suppose you were friends, too."

Martha Hale shook her head.

"I've seen little enough of her of late years. I've not been in this house—it's more than a year."

"And why was that? You didn't like her?"

"I liked her well enough," she replied with spirit. "Farmers' wives have their hands full, Mr. Henderson. And then—" She looked around the kitchen.

"Yes?" he encouraged.

"It never seemed a very cheerful place," said she, more to herself than to him.

"No," he agreed; "I don't think any one would call it cheerful. I shouldn't say she had the home-making instinct."

"Well, I don't know as Wright had, either," she muttered.

"You mean they didn't get on very well?" he was quick to ask.

"No; I don't mean anything," she answered, with decision. As she turned a little away from him, she added: "But I don't think a place would be any the cheerfuler for John Wright's bein' in it."

"I'd like to talk to you about that a little later, Mrs. Hale," he said. "I'm anxious to get the lay of things upstairs now."

He moved toward the stair door, followed by the two men.

"I suppose anything Mrs. Peters does'll be all right?" the sheriff inquired. "She was to take in some clothes for her, you know—and a few little things. We left in such a hurry yesterday."

The county attorney looked at the two women whom they were leaving alone there among the kitchen things.

"Yes—Mrs. Peters," he said, his glance resting on the woman who was not Mrs. Peters, the big farmer woman who stood behind the sheriff's wife. "Of course Mrs. Peters is one of us," he said, in a manner of entrusting responsibility. "And keep your eye out Mrs. Peters, for anything that might be of use. No telling; you women might come upon a clue to the motive—and that's the thing we need."

Mr. Hale rubbed his face after the fashion of a show man getting ready for a pleasantry.

"But would the women know a clue if they did come upon it?" he said; and, having delivered himself of this, he followed the others through the stair door.

 

The women stood motionless and silent, listening to the footsteps, first upon the stairs, then in the room above them.

Then, as if releasing herself from something strange, Mrs. Hale began to arrange the dirty pans under the sink, which the county attorney's disdainful push of the foot had deranged.

"I'd hate to have men comin' into my kitchen," she said testily—"snoopin' round and criticizin'."

"Of course it's no more than their duty," said the sheriff's wife, in her manner of timid acquiescence.

"Duty's all right," replied Mrs. Hale bluffly; "but I guess that deputy sheriff that come out to make the fire might have got a little of this on." She gave the roller towel a pull. "Wish I'd thought of that sooner! Seems mean to talk about her for not having things slicked up, when she had to come away in such a hurry."

She looked around the kitchen. Certainly it was not "slicked up." Her eye was held by a bucket of sugar on a low shelf. The cover was off the wooden bucket, and beside it was a paper bag—half full.

Mrs. Hale moved toward it.

"She was putting this in there," she said to herself—slowly.

She thought of the flour in her kitchen at home—half sifted, half not sifted. She had been interrupted, and had left things half done. What had interrupted Minnie Foster? Why had that work been left half done? She made a move as if to finish it,—unfinished things always bothered her,—and then she glanced around and saw that Mrs. Peters was watching her—and she didn't want Mrs. Peters to get that feeling she had got of work begun and then—for some reason—not finished.

"It's a shame about her fruit," she said, and walked toward the cupboard that the county attorney had opened, and got on the chair, murmuring: "I wonder if it's all gone."

It was a sorry enough looking sight, but "Here's one that's all right," she said at last. She held it toward the light. "This is cherries, too." She looked again. "I declare I believe that's the only one."

With a sigh, she got down from the chair, went to the sink, and wiped off the bottle.

"She'll feel awful bad, after all her hard work in the hot weather. I remember the afternoon I put up my cherries last summer."

She set the bottle on the table, and, with another sigh, started to sit down in the rocker. But she did not sit down. Something kept her from sitting down in that chair. She straightened—stepped back, and, half turned away, stood looking at it, seeing the woman who had sat there "pleatin' at her apron."

The thin voice of the sheriff's wife broke in upon her: "I must be getting those things from the front room closet." She opened the door into the other room, started in, stepped back. "You coming with me, Mrs. Hale?" she asked nervously. "You—you could help me get them."

They were soon back—the stark coldness of that shut-up room was not a thing to linger in.

"My!" said Mrs. Peters, dropping the things on the table and hurrying to the stove.

Mrs. Hale stood examining the clothes the woman who was being detained in town had said she wanted.

"Wright was close!" she exclaimed, holding up a shabby black skirt that bore the marks of much making over. "I think maybe that's why she kept so much to herself. I s'pose she felt she couldn't do her part; and then, you don't enjoy things when you feel shabby. She used to wear pretty clothes and be lively—when she was Minnie Foster, one of the town girls, singing in the choir. But that—oh, that was twenty years ago."

With a carefulness in which there was something tender, she folded the shabby clothes and piled them at one corner of the table. She looked up at Mrs. Peters and there was something in the other woman's look that irritated her.

"She don't care," she said to herself. "Much difference it makes to her whether Minnie Foster had pretty clothes when she was a girl."

Then she looked again, and she wasn't so sure; in fact, she hadn't at any time been perfectly sure about Mrs. Peters. She had that shrinking manner, and yet her eyes looked as if they could see a long way into things.

"This all you was to take in?" asked Mrs. Hale.

"No," said the sheriff's wife; "she said she wanted an apron. Funny thing to want," she ventured in her nervous little way, "for there's not much to get you dirty in jail, goodness knows. But I suppose just to make her feel more natural. If you're used to wearing an apron—. She said they were in the bottom drawer of this cupboard. Yes—here they are. And then her little shawl that always hung on the stair door."

She took the small gray shawl from behind the door leading upstairs, and stood a minute looking at it.

Suddenly Mrs. Hale took a quick step toward the other woman.

"Mrs. Peters!"

"Yes, Mrs. Hale?"

"Do you think she—did it?"

A frightened look blurred the other thing in Mrs. Peters' eyes.

"Oh, I don't know," she said, in a voice that seemed to shrink away from the subject.

"Well, I don't think she did," affirmed Mrs. Hale stoutly. "Asking for an apron, and her little shawl. Worryin' about her fruit."

"Mr. Peters says—." Footsteps were heard in the room above; she stopped, looked up, then went on in a lowered voice: "Mr. Peters says—it looks bad for her. Mr. Henderson is awful sarcastic in a speech, and he's going to make fun of her saying she didn't—wake up."

For a moment Mrs. Hale had no answer. Then, "Well, I guess John Wright didn't wake up—when they was slippin' that rope under his neck," she muttered.

"No, it's strange," breathed Mrs. Peters. "They think it was such a—funny way to kill a man."

She began to laugh; at sound of the laugh, abruptly stopped.

"That's just what Mr. Hale said," said Mrs. Hale, in a resolutely natural voice. "There was a gun in the house. He says that's what he can't understand."

"Mr. Henderson said, coming out, that what was needed for the case was a motive. Something to show anger—or sudden feeling."

"Well, I don't see any signs of anger around here," said Mrs. Hale. "I don't—"

She stopped. It was as if her mind tripped on something. Her eye was caught by a dish-towel in the middle of the kitchen table. Slowly she moved toward the table. One half of it was wiped clean, the other half messy. Her eyes made a slow, almost unwilling turn to the bucket of sugar and the half empty bag beside it. Things begun—and not finished.

After a moment she stepped back, and said, in that manner of releasing herself:

"Wonder how they're finding things upstairs? I hope she had it a little more red up up there. You know,"—she paused, and feeling gathered,—"it seems kind of sneaking: locking her up in town and coming out here to get her own house to turn against her!"

"But, Mrs. Hale," said the sheriff's wife, "the law is the law."

"I s'pose 'tis," answered Mrs. Hale shortly.

She turned to the stove, saying something about that fire not being much to brag of. She worked with it a minute, and when she straightened up she said aggressively:

"The law is the law—and a bad stove is a bad stove. How'd you like to cook on this?"—pointing with the poker to the broken lining. She opened the oven door and started to express her opinion of the oven; but she was swept into her own thoughts, thinking of what it would mean, year after year, to have that stove to wrestle with. The thought of Minnie Foster trying to bake in that oven—and the thought of her never going over to see Minnie Foster—.

She was startled by hearing Mrs. Peters say: "A person gets discouraged—and loses heart."

The sheriff's wife had looked from the stove to the sink—to the pail of water which had been carried in from outside. The two women stood there silent, above them the footsteps of the men who were looking for evidence against the woman who had worked in that kitchen. That look of seeing into things, of seeing through a thing to something else, was in the eyes of the sheriff's wife now. When Mrs. Hale next spoke to her, it was gently:

"Better loosen up your things, Mrs. Peters. We'll not feel them when we go out."

Mrs. Peters went to the back of the room to hang up the fur tippet she was wearing. A moment later she exclaimed, "Why, she was piecing a quilt," and held up a large sewing basket piled high with quilt pieces.

Mrs. Hale spread some of the blocks out on the table.

"It's log-cabin pattern," she said, putting several of them together. "Pretty, isn't it?"

They were so engaged with the quilt that they did not hear the footsteps on the stairs. Just as the stair door opened Mrs. Hale was saying:

"Do you suppose she was going to quilt it or just knot it?"

The sheriff threw up his hands.

"They wonder whether she was going to quilt it or just knot it!"

There was a laugh for the ways of women, a warming of hands over the stove, and then the county attorney said briskly:

"Well, let's go right out to the barn and get that cleared up."

"I don't see as there's anything so strange," Mrs. Hale said resentfully, after the outside door had closed on the three men—"our taking up our time with little things while we're waiting for them to get the evidence. I don't see as it's anything to laugh about."

"Of course they've got awful important things on their minds," said the sheriff's wife apologetically.

They returned to an inspection of the block for the quilt. Mrs. Hale was looking at the fine, even sewing, and preoccupied with thoughts of the woman who had done that sewing, when she heard the sheriff's wife say, in a queer tone:

"Why, look at this one."

She turned to take the block held out to her.

"The sewing," said Mrs. Peters, in a troubled way. "All the rest of them have been so nice and even—but—this one. Why, it looks as if she didn't know what she was about!"

Their eyes met—something flashed to life, passed between them; then, as if with an effort, they seemed to pull away from each other. A moment Mrs. Hale sat her hands folded over that sewing which was so unlike all the rest of the sewing. Then she had pulled a knot and drawn the threads.

"Oh, what are you doing, Mrs. Hale?" asked the sheriff's wife, startled.

"Just pulling out a stitch or two that's not sewed very good," said Mrs. Hale mildly.

"I don't think we ought to touch things," Mrs. Peters said, a little helplessly.

"I'll just finish up this end," answered Mrs. Hale, still in that mild, matter-of-fact fashion.

She threaded a needle and started to replace bad sewing with good. For a little while she sewed in silence. Then, in that thin, timid voice, she heard:

"Mrs. Hale!"

"Yes, Mrs. Peters?"

"What do you suppose she was so—nervous about?"

"Oh, I don't know," said Mrs. Hale, as if dismissing a thing not important enough to spend much time on. "I don't know as she was—nervous. I sew awful queer sometimes when I'm just tired."

She cut a thread, and out of the corner of her eye looked up at Mrs. Peters. The small, lean face of the sheriff's wife seemed to have tightened up. Her eyes had that look of peering into something. But next moment she moved, and said in her thin, indecisive way:

"Well, I must get those clothes wrapped. They may be through sooner than we think. I wonder where I could find a piece of paper—and string."

"In that cupboard, maybe," suggested Mrs. Hale, after a glance around.

 

One piece of the crazy sewing remained unripped. Mrs. Peters' back turned, Martha Hale now scrutinized that piece, compared it with the dainty, accurate sewing of the other blocks. The difference was startling. Holding this block made her feel queer, as if the distracted thoughts of the woman who had perhaps turned to it to try and quiet herself were communicating themselves to her.

Mrs. Peters' voice roused her.

"Here's a bird-cage," she said. "Did she have a bird, Mrs. Hale?"

"Why, I don't know whether she did or not." She turned to look at the cage Mrs. Peter was holding up. "I've not been here in so long." She sighed. "There was a man round last year selling canaries cheap—but I don't know as she took one. Maybe she did. She used to sing real pretty herself."

Mrs. Peters looked around the kitchen.

"Seems kind of funny to think of a bird here." She half laughed—an attempt to put up a barrier. "But she must have had one—or why would she have a cage? I wonder what happened to it."

"I suppose maybe the cat got it," suggested Mrs. Hale, resuming her sewing.

"No; she didn't have a cat. She's got that feeling some people have about cats—being afraid of them. When they brought her to our house yesterday, my cat got in the room, and she was real upset and asked me to take it out."

"My sister Bessie was like that," laughed Mrs. Hale.

The sheriff's wife did not reply. The silence made Mrs. Hale turn round. Mrs. Peters was examining the bird-cage.

"Look at this door," she said slowly. "It's broke. One hinge has been pulled apart."

Mrs. Hale came nearer.

"Looks as if some one must have been—rough with it."

Again their eyes met—startled, questioning, apprehensive. For a moment neither spoke nor stirred. Then Mrs. Hale, turning away, said brusquely:

"If they're going to find any evidence, I wish they'd be about it. I don't like this place."

"But I'm awful glad you came with me, Mrs. Hale," Mrs. Peters put the bird-cage on the table and sat down. "It would be lonesome for me—sitting here alone."

"Yes, it would, wouldn't it?" agreed Mrs. Hale, a certain determined naturalness in her voice. She had picked up the sewing, but now it dropped in her lap, and she murmured in a different voice: "But I tell you what I do wish, Mrs. Peters. I wish I had come over sometimes when she was here. I wish—I had."

"But of course you were awful busy, Mrs. Hale. Your house—and your children."

"I could've come," retorted Mrs. Hale shortly. "I stayed away because it weren't cheerful—and that's why I ought to have come. I"—she looked around—"I've never liked this place. Maybe because it's down in a hollow and you don't see the road. I don't know what it is, but it's a lonesome place, and always was. I wish I had come over to see Minnie Foster sometimes. I can see now—" She did not put it into words.

"Well, you mustn't reproach yourself," counseled Mrs. Peters. "Somehow, we just don't see how it is with other folks till—something comes up."

"Not having children makes less work," mused Mrs. Hale, after a silence, "but it makes a quiet house—and Wright out to work all day—and no company when he did come in. Did you know John Wright, Mrs. Peters?"

"Not to know him. I've seen him in town. They say he was a good man."

"Yes—good," conceded John Wright's neighbor grimly. "He didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him—." She stopped, shivered a little. "Like a raw wind that gets to the bone." Her eye fell upon the cage on the table before her, and she added, almost bitterly: "I should think she would've wanted a bird!"

Suddenly she leaned forward, looking intently at the cage. "But what do you s'pose went wrong with it?"

"I don't know," returned Mrs. Peters; "unless it got sick and died."

But after she said it she reached over and swung the broken door. Both women watched it as if somehow held by it.

"You didn't know—her?" Mrs. Hale asked, a gentler note in her voice.

"Not till they brought her yesterday," said the sheriff's wife.

"She—come to think of it, she was kind of like a bird herself. Real sweet and pretty, but kind of timid and—fluttery. How—she—did—change."

That held her for a long time. Finally, as if struck with a happy thought and relieved to get back to every-day things, she exclaimed:

"Tell you what, Mrs. Peters, why don't you take the quilt in with you? It might take up her mind."

"Why, I think that's a real nice idea, Mrs. Hale," agreed the sheriff's wife, as if she too were glad to come into the atmosphere of a simple kindness. "There couldn't possibly be any objection to that, could there? Now, just what will I take? I wonder if her patches are in here—and her things."

They turned to the sewing basket.

"Here's some red," said Mrs. Hale, bringing out a roll of cloth. Underneath that was a box. "Here, maybe her scissors are in here—and her things." She held it up. "What a pretty box! I'll warrant that was something she had a long time ago—when she was a girl."

She held it in her hand a moment; then, with a little sigh, opened it.

Instantly her hand went to her nose.

"Why—!"

Mrs. Peters drew nearer—then turned away.

"There's something wrapped up in this piece of silk," faltered Mrs. Hale.

"This isn't her scissors," said Mrs. Peters, in a shrinking voice.

Her hand not steady, Mrs. Hale raised the piece of silk. "Oh, Mrs. Peters!" she cried. "It's—"

Mrs. Peters bent closer.

"It's the bird," she whispered.

"But, Mrs. Peters!" cried Mrs. Hale. "Look at it! Its neck—look at its neck! It's all—other side to."

She held the box away from her.

The sheriff's wife again bent closer.

"Somebody wrung its neck," said she, in a voice that was slow and deep.

And then again the eyes of the two women met—this time clung together in a look of dawning comprehension, of growing horror. Mrs. Peters looked from the dead bird to the broken door of the cage. Again their eyes met. And just then there was a sound at the outside door.

Mrs. Hale slipped the box under the quilt pieces in the basket, and sank into the chair before it. Mrs. Peters stood holding to the table. The county attorney and the sheriff came in from outside.

"Well, ladies," said the county attorney, as one turning from serious things to little pleasantries, "have you decided whether she was going to quilt it or knot it?"

"We think," began the sheriff's wife in a flurried voice, "that she was going to—knot it."

He was too preoccupied to notice the change that came in her voice on that last.

"Well, that's very interesting, I'm sure," he said tolerantly. He caught sight of the bird-cage. "Has the bird flown?"

"We think the cat got it," said Mrs. Hale in a voice curiously even.

He was walking up and down, as if thinking something out.

"Is there a cat?" he asked absently.

Mrs. Hale shot a look up at the sheriff's wife.

"Well, not now," said Mrs. Peters. "They're superstitious, you know; they leave."

She sank into her chair.

The county attorney did not heed her. "No sign at all of any one having come in from the outside," he said to Peters, in the manner of continuing an interrupted conversation. "Their own rope. Now let's go upstairs again and go over it, piece by piece. It would have to have been some one who knew just the—"

The stair door closed behind them and their voices were lost.

The two women sat motionless, not looking at each other, but as if peering into something and at the same time holding back. When they spoke now it was as if they were afraid of what they were saying, but as if they could not help saying it.

"She liked the bird," said Martha Hale, low and slowly. "She was going to bury it in that pretty box."

"When I was a girl," said Mrs. Peters, under her breath, "my kitten—there was a boy took a hatchet, and before my eyes—before I could get there—" She covered her face an instant. "If they hadn't held me back I would have"—she caught herself, looked upstairs where footsteps were heard, and finished weakly—"hurt him."

Then they sat without speaking or moving.

"I wonder how it would seem," Mrs. Hale at last began, as if feeling her way over strange ground—"never to have had any children around?" Her eyes made a slow sweep of the kitchen, as if seeing what that kitchen had meant through all the years. "No, Wright wouldn't like the bird," she said after that—"a thing that sang. She used to sing. He killed that too." Her voice tightened.

Mrs. Peters moved uneasily.

"Of course we don't know who killed the bird."

"I knew John Wright," was Mrs. Hale's answer.

"It was an awful thing was done in this house that night, Mrs. Hale," said the sheriff's wife. "Killing a man while he slept—slipping a thing round his neck that choked the life out of him."

Mrs. Hale's hand went out to the bird-cage.

"His neck. Choked the life out of him."

"We don't know who killed him," whispered Mrs. Peters wildly. "We don't know."

Mrs. Hale had not moved. "If there had been years and years of—nothing, then a bird to sing to you, it would be awful—still—after the bird was still."

It was as if something within her not herself had spoken, and it found in Mrs. Peters something she did not know as herself.

"I know what stillness is," she said, in a queer, monotonous voice. "When we homesteaded in Dakota, and my first baby died—after he was two years old—and me with no other then—"

Mrs. Hale stirred.

"How soon do you suppose they'll be through looking for the evidence?"

"I know what stillness is," repeated Mrs. Peters, in just that same way. Then she too pulled back. "The law has got to punish crime, Mrs. Hale," she said in her tight little way.

"I wish you'd seen Minnie Foster," was the answer, "when she wore a white dress with blue ribbons, and stood up there in the choir and sang."

The picture of that girl, the fact that she had lived neighbor to that girl for twenty years, and had let her die for lack of life, was suddenly more than she could bear.

"Oh, I wish I'd come over here once in a while!" she cried. "That was a crime! That was a crime! Who's going to punish that?"

"We mustn't take on," said Mrs. Peters, with a frightened look toward the stairs.

"I might 'a' known she needed help! I tell you, it's queer, Mrs. Peters. We live close together, and we live far apart. We all go through the same things—it's all just a different kind of the same thing! If it weren't—why do you and I understand? Why do we know—what we know this minute?"

She dashed her hand across her eyes. Then, seeing the jar of fruit on the table, she reached for it and choked out:

"If I was you I wouldn't tell her her fruit was gone! Tell her it ain't. Tell her it's all right—all of it. Here—take this in to prove it to her! She—she may never know whether it was broke or not."

She turned away.

Mrs. Peters reached out for the bottle of fruit as if she were glad to take it—as if touching a familiar thing, having something to do, could keep her from something else. She got up, looked about for something to wrap the fruit in, took a petticoat from the pile of clothes she had brought from the front room, and nervously started winding that round the bottle.

"My!" she began, in a high, false voice, "it's a good thing the men couldn't hear us! Getting all stirred up over a little thing like a—dead canary." She hurried over that. "As if that could have anything to do with—with—My, wouldn't they laugh?"

Footsteps were heard on the stairs.

"Maybe they would," muttered Mrs. Hale—"maybe they wouldn't."

"No, Peters," said the county attorney incisively; "it's all perfectly clear, except the reason for doing it. But you know juries when it comes to women. If there was some definite thing—something to show. Something to make a story about. A thing that would connect up with this clumsy way of doing it."

In a covert way Mrs. Hale looked at Mrs. Peters. Mrs. Peters was looking at her. Quickly they looked away from each other. The outer door opened and Mr. Hale came in.

"I've got the team round now," he said. "Pretty cold out there."

"I'm going to stay here awhile by myself," the county attorney suddenly announced. "You can send Frank out for me, can't you?" he asked the sheriff. "I want to go over everything. I'm not satisfied we can't do better."

Again, for one brief moment, the two women's eyes found one another.

The sheriff came up to the table.

"Did you want to see what Mrs. Peters was going to take in?"

The county attorney picked up the apron. He laughed.

"Oh, I guess they're not very dangerous things the ladies have picked out."

Mrs. Hale's hand was on the sewing basket in which the box was concealed. She felt that she ought to take her hand off the basket. She did not seem able to. He picked up one of the quilt blocks which she had piled on to cover the box. Her eyes felt like fire. She had a feeling that if he took up the basket she would snatch it from him.

But he did not take it up. With another little laugh, he turned away, saying:

"No; Mrs. Peters doesn't need supervising. For that matter, a sheriff's wife is married to the law. Ever think of it that way, Mrs. Peters?"

Mrs. Peters was standing beside the table. Mrs. Hale shot a look up at her; but she could not see her face. Mrs. Peters had turned away. When she spoke, her voice was muffled.

"Not—just that way," she said.

"Married to the law!" chuckled Mrs. Peters' husband. He moved toward the door into the front room, and said to the county attorney:

"I just want you to come in here a minute, George. We ought to take a look at these windows."

"Oh—windows," said the county attorney scoffingly.

"We'll be right out, Mr. Hale," said the sheriff to the farmer, who was still waiting by the door.

Hale went to look after the horses. The sheriff followed the county attorney into the other room. Again—for one final moment—the two women were alone in that kitchen.

Martha Hale sprang up, her hands tight together, looking at that other woman, with whom it rested. At first she could not see her eyes, for the sheriff's wife had not turned back since she turned away at that suggestion of being married to the law. But now Mrs. Hale made her turn back. Her eyes made her turn back. Slowly, unwillingly, Mrs. Peters turned her head until her eyes met the eyes of the other woman. There was a moment when they held each other in a steady, burning look in which there was no evasion nor flinching. Then Martha Hale's eyes pointed the way to the basket in which was hidden the thing that would make certain the conviction of the other woman—that woman who was not there and yet who had been there with them all through that hour.

For a moment Mrs. Peters did not move. And then she did it. With a rush forward, she threw back the quilt pieces, got the box, tried to put it in her handbag. It was too big. Desperately she opened it, started to take the bird out. But there she broke—she could not touch the bird. She stood there helpless, foolish.

There was the sound of a knob turning in the inner door. Martha Hale snatched the box from the sheriff's wife, and got it in the pocket of her big coat just as the sheriff and the county attorney came back into the kitchen.

"Well, Henry," said the county attorney facetiously, "at least we found out that she was not going to quilt it. She was going to—what is it you call it, ladies?"

Mrs. Hale's hand was against the pocket of her coat.

"We call it—knot it, Mr. Henderson."






This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1917."

In Maulmain Fever-Ward by George Gilbert



By GEORGE GILBERT

Copyright, 1918, by The Story-Press Corporation.


Flood-time on Salwin River, Burma! Pouk trees and stic-lac in flower. By day the rush, the roar of water fretting at the knees of Kalgai Gorge, above which the Thoungyeen enters the main current. And the music of the elephants’ bells as they come along the track bound down or mayhap up to work in the teak forests. By night the languorous scent of the serai vines luring the myriad moths, the wail of the gibbons, the rustle of the bamboos chafing their feathery leaves together in the winds that just falter between rest and motion.

At Kalgai the traders pause in going up or down, over or across. From everywhere they come, and coming, stay to chaffer, to chat, cheat, scheme, love—aye and even slay! Why not? It’s life—raw life!

Take away the medicine. Give me rice curry and chicken and fish cooked with green bamboo tips and sourish-sweet pilou of river mussels. And then a whiff of bhang or black Malay tobacco that the gypsies of the sea smuggle in....

My name? Paul Brandon will do. My father was a Stepney coster. Mother? Oh, a half-caste Mandalay woman. Yes, they were married at the mission. He took her home. I was born in London. But I ran away; came East....

Don’t mind if I babble, ma’am. And forgive me if I pull at the sheets. Or if the sight of a white woman, old, patient, trying to be kind to me, makes me shy. When my head clears, I’m white; when the fever mist comes over my brain, I see things through my brown mother’s eyes.

Thanks for fixing the ice pack on my head. No, that mark on my forehead is not from an old bruise. A Karen-Laos woman put it there with her tattoo needles. It has a meaning. It is the Third Eye of Siva.

Thanks for pulling-to the shade. Those bamboo things the yellow and brown folk use are not shades. They are full of holes where the weaving is that holds them together. Why, you can see through them—see the most unbelievable things....

Oh, yes, the mark on my forehead. A girl put it there with her needles. Now that you touch it, it is sore. Well, so would your head be sore if a giant python had smashed his wedge-shaped head in death stroke against your wrinkled brow, executing the Curse of Siva.

How long have I been in Maulmain?... A week? Well, I won’t be here another. But it’s queer how a man will drift—to his own people.

Thanks for the little morphine pills. Yes, I know what they are. Give me a dozen, and they may take hold. A man who has smoked bhang, black Malay tobacco and opium, and who has drunk bino isn’t going to be hurt by sugar pills. They only wake me up, steady me.

Why didn’t I know Pra Oom Bwaht was a liar?...

――――

Karen town on Thoungyeen River! Temple bells chiming or booming through the mystic, potent dusk; mynah-birds scolding in the thy-tsi trees. Frogs croaking under the banyans’ knees in the mud. Women coming to worship in the temples—women with songs on their full red lips and burdens on their heads—and mighty little else on them. And the fat, lazy priests and the monks going about, begging bowls in hand, with their cheelahs to lead them as they beg their evening rice.

Thanks for the lime juice, ma’am. Let me talk. It eases me.

To Karen town on Thoungyeen River—Karen town with its Temple of Siva—I came long before the rains. This year? Mayhap. Last? What do the dead years matter now?

To Karen town I brought wire rods for anklet-making, cloths, mirrors, sweetmeats—an elephant’s load. Once there, I let my elephant driver go.

Three days of good trade I had, and my goods were about gone, turned into money and antique carved silver and gold work. At the close of the third day, as I sat in front of the zana, smoking, smoking, smoking, listening to the buzz of the women and children, Pra Oom Bwaht came.

He was tall for a Karen man of the hills, all of five foot two. The Karen plainsmen are taller. He sat a space beside me in silence—sure mark of a man of degree among such chatterers.

“Have you seen the temples of Karen?” he asked finally.

Lazily I looked him over. He was sturdy—a brave man, I thought. He had a cunning eye, a twisty mouth, and in his forehead’s middle a black mark showing harsh against his yellow skin.

“What’s that?” I asked him, touching the mark. He winced when I did it.

“Dread Bhairava,” he said, using the Brahman word for Siva, Queen of the Nagas. He was a snake-worshiper, then. Mighty little of these people or their talk or dialects I don’t know.

“Come with me, white trader?” he asked me. “I am Pra Oom Bwaht.”

Idly I went. So, after visiting the other temples, we came to the Temple of Siva, perched on its rocks, with the river running near and its little grounds well kept. It was the hour of evening worship. The worshipers, mostly women, were coming in with votive offerings.

But among them all there was a Laos girl, shapely as a roe deer, graceful, brown, with flashing black eyes and shining black hair neatly coiled on top of her pretty head, and with full red lips. As she passed, Oom Bwaht just nudged me—pointed. She turned off at a fork of the path, alone.

I glanced at Pra Oom Bwaht. His twisty mouth was wreathed in a smile.

“She lives at the end of that little path,” he tempted. “She is Nagy N’Yang.”

“Alone?”

“Alone.”

He nodded again and went away. I turned down the side path after the Laos girl....

There was a full moon that night. About the middle of the night we came up the path to the temple again, the Laos girl and I.

“Come,” she had said to me when I had asked her for my heart’s desire, “come to the temple, and I can prove it is folly.”

So we came. The temple door was open. The priests were gone—no one has to watch a Naga temple at night. The dread of Siva is enough to protect it.

A rift in the temple roof let in a shaft of white moonlight. It struck upon the image of Siva. The image was seated on a white ox, carved of some white stone. A sash around the image was made up of human heads; it had six arms, each covered with carved snakes that were so lifelike they seemed to writhe in the wavering light. In the middle of the god’s forehead was the mark of the third eye—the scar of Siva.

We went slowly down toward the image. Before it was a huge chest. Nagy N’Yang motioned me to sit on it. She sat beside me. Again I pleaded with her for my heart’s desire.

She pushed me away.

“You are afraid to be near me,” I mocked.

“Hush,” she pleaded. “I am afraid—of yielding to you.”

I moved to clasp her, my heart leaping at her confession. She smote her little hands sharply together. I heard a shuffling of softly shod feet in the passage behind the image.

Wat Na Yang, chief priest of the temple, stood before us with his yellow robes, his yellow skin, his hands calmly folded across his paunch. “What seek ye, children?” he asked.

“The way of love,” I laughed. I plunged my hand into my robe and felt the gold against my middle.

In the great chest on which we sat something awoke to life. I heard a stir, a rustle, a noise as of straining.

“Nagy speaks,” the priest warned.

I felt the Laos girl shudder by my side.

“What is it?” I asked. I stood up. A creeping horror came over me.

Nagy N’Yang sprang up as I did and flung back the lid of the great chest with a strength I had not expected. Out over her shoulder shot a long coil, then another. When she stood erect in the moon-glow, a great rock python was wrapped about her matchless form. The mark of Siva on her forehead gleamed against her ivory brow like an evil blotch, yet it did not take from her beauty, her alluring grace; nor did the immense bulk of the python bear her down.

“The great serpent knows his own,” whispered the yellow priest. He pointed with his fat forefinger. I saw the red tongue of the python play over the ivory bosom of the girl.

Yet I did not shudder. It seemed fitting. They were so in harmony with their surroundings.

The eyes of the python blazed in the moon-glow like rubies of the pigeon-blood hue, then like garnets, then like glow-worms; then they sank to a lower range of colors and finally to rest. He was asleep under her caresses. She patted his wedge-shaped head, soothing him. Ah, that it had been my head she thus fondled!

Suddenly Nagy N’Yang seized the great serpent just back of the head, uncoiled it from her with a free, quick succession of movements and cast it into the great chest again. Then, with a curious indrawing of the breath, as if relieved from a nerve strain, she sat down on the chest.

“Well have I seen,” I said to her. “But little do I understand.”

“I may not wed,” she said. “I am Siva’s.”

“I can kill the snake—”

The thing in the chest stirred its coils uneasily.

“Be silent!” commanded the fat priest. “Would you slay little N’Yang?”

I shuddered. A great bat came in through the rift that let in the moon-glow. In the trees over the temple a gibbon wailed in his sleep like a sick child—“Hoop-oi-oi-oi”!

Wat Na Yang extended his arm before him in a gesture of dismissal.

“Go!” he commanded. Then he placed a heavy hand on my shoulder.

Nagy N’Yang stood up, bowed her head and went down the path the moonbeams made, went into the shadow near the door, and out.

The fat priest sat down on the chest beside me. The mottled terror in the chest was still again.

“She was wed,” the priest began, “but on her wedding-day we claimed her. Her husband cannot claim her. But if some one unwittingly kills the great python, she will be free. It must be some one not a friend of the husband. No one will kill the python here. She is temple-bound for life—”

The bulk inside thrilled to life again. I heard the scales rustling as the great coils rose and fell.

“Go, you!” he ordered. “The goddess likes you not. Even if you take the girl, I can call her back or kill her by touching her flesh with a single scale from the Naga in the chest.”

He walked with me to the door. At the portal we stood for a space, silent.

The tiled entrance was flooded with moonlight. In the middle of it a cobra lay, stretched out, seemingly asleep—a small cobra, deadly none the less.

“You see,” the gross priest said, pointing to the deadly serpent there. “Nagy’s spirit watches you here, too. But the girl she did not harm.”

Filled with some spirit of Western bravado I could not stifle, I stepped close to the cobra and stamped on its head.

“That for all scaly serpents!” I jeered at him. I stood on the cobra’s head while it lashed out its life.

The fat yellow priest watched me, and I could see hatred and horror struggle for mastery on his face.

Coming close to me he began to talk in long, rolling sentences, of which I here and there caught a word. But I caught the sense of what he was saying.

Oh, yes—the fat priest. It was there, in front of the temple, that he put on me, in Sanskrit, the Curse of Siva, ending:

“With gurgling drops of blood, that plenteous stream
From throats quickly cut by us—”

I laughed at him, threw a yellow coin at his face, kicked the dead cobra into the door of the temple—and went down the path toward the Laos girl’s hut.

At the hut door she sat, silent, wonderful.

“Come!” I commanded.

“Where?” she asked.

“To Kalgai town by Salwin River,” I answered. I took her in my arms.

Yes, I took her! Why not? She was mine, wasn’t she? Yes, I took her! Not down the Thoungyeen River or the road along it. Why? We feared pursuit. Five miles below Karen a little hill stream comes to the Thoungyeen River. I never heard its name. We went up that to its springs and then along to the Hlineboay Chuang.

We traveled slowly, afoot, on cattle-back, on elephant-back—as the hill-folk could take us, or as we cared to go. Nagy N’Yang at first was moody, but as we left her own village far behind and got among the greater hills, she was gayer and gayer. I think when we came to Shoaygoon Plains she was happy. I was. It was in Shoaygoon zana that I let her tattoo my forehead with the mark of Siva, to please her and quiet her superstitious fears. It was wrong, yes, for all-whites; but for me, with a brown mother? Mayhap not....

And so we came to Kalgai in Kalgai Gorge, and the rains were not yet come.

We were early. The traders’ huts were not filled. Only a few were taken. A Eurasian here, a Russian there, a Tibetan there, and yonder a Chinese.

So I had my choice of the best places and picked the best house in the gorge—on the rock spit that juts into the gorge’s biggest bend over the whirlpool.

The house we took was of teak beams and bamboo. For a few gold coins I had its use, entire, with its mats, pots, kettles.

There was a little shilly-shallying of trade, which I did not get into. Traders came up and down and across. I didn’t care for traffic just then.

Nagy N’Yang was happy, she told me. I believed it. She went about her little household tasks neatly.

“After the big rains,” I told her, “we two take boat for Maulmain and beyond.” I was due for a trip up past Rangoon for temple brasses and carved ivory. The air was heavy with the promise of the first of the rains.

“Where you go, I go,” she laughed, stuffing my mouth with rice and fish.

She cuddled closer to me on the eating mat we had spread out.

A shadow fell across the open doorway. She screamed.

It was Pra Oom Bwaht, who smiled down on us with his twisty smile.

“Welcome,” I said.

He came in boldly and sat down.

“You went quickly from Karen,” he said simply.

I could feel my Laos girl wince as she leaned against me. I clutched the dagger inside my robe.

Pra Oom Bwaht smiled his twisty smile.

“How come you here?” I demanded.

“Why should I not?” he asked. “Especially to see my sister—” He pointed to Nagy N’Yang.

She sighed and laughed a little nervous laugh.

“I did not know,” I said, “that she was your sister. You are welcome to our poor house.”

Pra Oom Bwaht smiled again, got up and stalked out. As he went, the first patter of the rains came, beating up the dust in the space before the door for a few seconds, then laying it all in a puddle of mud again as a great dash of fury came into the storm. But it was only the first baby rain, not enough to make Kalgai whirlpool talk out loud.

I turned to Nagy. She was staring out into the storm.

“I didn’t know he was your brother,” I said to her.

“All Laos are brother and sister,” she replied.

Well, I’ve found it best to keep out of native feuds and family jangles. “Some old village quarrel back of it,” I thought.

――――

All night it rained, and in the morning the river was talking to the cliffs in a louder voice. And the water was up and coming. Bits of drift were floating.

Among the traders I found Pra Oom Bwaht settled in a little hut off by himself. He had scant store of Karen cloths, Laos baskets, some hammered brass. He was sitting on a big box, and it was covered with a mat woven of tree-cotton fiber. He arose to meet me and came to the door.

“Let us chat here,” he said. “I like the sun better than the shade.”

It was queer to deny me a seat beside him, I thought; but I let it pass. I was not paying much attention to details then.

So we sat in the doorway and watched the rain and heard the river talking to Kalgai Gorge. Trade was slack and would be until the greater rains came bearing boats and rafts from above and over and beyond, from up the river and the little rivers coming into it.

I could make nothing of Pra Oom Bwaht, I say. I left him and went out to chaffer a bit.

“Who knows the Karen fool?” Ali Beg, just down from Szechuan after trading rifles to Chinese Mohammedans for opium, demanded of me from the door of his own place.

“Why?” I asked.

“He trades like a fool, letting a rupee’s worth go for a pice.”

“Let him,” I laughed, “so long as he keeps away from me.”

“And yours?”

“Why do you ask that?”

“Come in and drink of tea with me,” he invited.

So I went in and we sat eye to eye, face to face, across his little teakwood table, each squatting on his heels, and drank tea and talked of many things.

“Now that we have said all the useless things, tell me what is at the bottom of thy heart,” Ali demanded. Up there the important things are kept for the dessert of the talk.

He was an old friend, with his coal-black eyes, great hairy arms and rippling black beard.

“Thus it was, heart of my soul,” I said, laying hold of a lock of his beard up under his green turban, in token of entire truth-telling. “Thus it was”—and I tugged at the lock of beard. So I told him the tale, from the time of my going to Karen until the time of my coming to Kalgai town and the arrival of Pra Oom Bwaht.

He sat a long time in silence.

Then he reached into his robe and drew out a fine dagger of Sikh smithy work, hammered, figured on the blade, keen, heavy of hilt; in the tip of the handle a ball of polished steel, hollow and filled with mercury. It was a throwing knife.

“Take this,” Ali urged. “I taught thee how to cast it at a foe years ago when we first went up the great river together. I go from here to-night by boats toward Maulmain. It will fall out with thee as it will fall out.”

I took the dagger because it was Ali’s gift, not because I was afraid. Why should I fear anything that walked on two legs or four? Even though it wore a tail or horns?

At nightfall I went back to my house on the rock spit. The stream was roaring now—like a baby lion.

Nagy N’Yang was sitting in the open doorway as I came up the path. I saw she had her chin in her hand and was thinking deeply.

“I saw him,” I made answer to the question in her eyes.

“Did he receive you well?”

“Except that he did not have me to sit beside him on his big trader’s box in his hut, but took me to the doorway to talk. It was not friendly.”

“Aha!” Just like that—soft, thoughtful.

“But what do I care for him, with his Karen cloths or hammered brass?” I chattered at her. “Come to me, Sweet One of a Thousand Delights.”

――――

So the days and the evenings and nights went by, and the greater rains followed the lesser. The river crept up and up and up, roaring now to the cliffs, like old lions.

Then came a day when on going home at eve I stooped at the river’s brim near the house we had on the rock spit, and felt of the water. It was chilled. “The flood is full,” I thought. I had felt the snow-chill from the Tibetan Himalayas in hoary Salwin’s yellow flood. When that comes, the utmost sources of the world have been tapped for flood water.

“The river will begin to fall to-morrow,” I told Nagy N’Yang when I came into the place. “We will go soon after, when the big trading is over.”

She smiled at me. Then she patted with her soft hand the place where she had tattooed on my brow the mark of the third eye of Siva. It was healed.

“I care not where we go, or if we go or stay, so long as you are with me,” she whispered, close against my side.

After the evening meal we sat in the doorway and heard the river talking. Often the big whirlpool sighed or moaned.

“It will almost cover our rock spit,” I said. I knew by the lift of it by day and the noise of it by night that the flood was a mighty one and would spend its chief force that night.

She nodded and nestled closer to me.

Out of the shade before us a greater shade silently loomed.

“I greet you, my sister and brother,” Pra Oom Bwaht said, standing before us.

Nagy N’Yang shivered against my side. I felt the dagger under my robe.

A single beam from our brazier inside struck across his twisty face. He stretched out his hand toward Nagy N’Yang.

“A gift for my sister,” he said.

She half reached her hand out, took it back, reached again and took it back; then, as if impelled by a force too strong to resist, reached again. Into her palm dropped something that shone for a tiny space in the yellow gleam of the brazier’s ray. She shut her hand—caught it to her breast. I thought it was a tiny golden bangle—then.

“Come,” said Pra Oom Bwaht. “Let us walk apart for a moment. I have family matters to talk over. Your husband will permit.”

I wanted her to protest, but she did not. She got up calmly and went with him out onto the rock spit. I was between them and the mainland. They could not go away by river. No harm would come to her, it seemed. “Some tribal custom to be attended to,” I thought. It is best not to be too curious about such matters up among the hills of Burma and Siam, ma’am. If you are, your wife suffers, not you.

For a long time I could hear them talking out there in the dark, with the river talking in between whiles. Once I heard a sound like a great sigh or sobbing moan. “The whirlpool at the river’s bed,” I thought, “taking in a great tree or raft.”

Soon after that the back mat of the house lifted, and I thought they had come in by that way. I sat, peering into the gloom inside, ready to greet them, when something crashed on to the back of my head and I forgot for a time.

I came back to memory in a daze and feeling much pain in my head. The brazier flared beside me. Bending over me was Pra Oom Bwaht, with a knife in his hand.

“Son of a pig!” he said.

“Where is Nagy N’Yang?” I asked.

He smiled at me—his cursed twisty smile.

“On the river’s brink she waits, bound to a great teak log lodged at the end of the spit,” he cried hoarsely. “When the flood comes to its full, she will float away—”

I spat full into his face. I thought it would make him slay me.

He wiped the spittle from his chops calmly. When an Oriental takes an insult calmly, beware! There is more to come.

“She was my wife,” he said, as if that explained everything.

“Was or is, it makes no difference to me,” I stormed. “She is mine now.”

“She is Siva’s,” he jeered. “Think you that as she swirls down into the whirlpool at the river’s bend the great river python, mother of all the pythons, will not take her? Placed I the yellow scale of Nagy in her hand for naught?”

I shuddered. The legend of the great river python at Kalgai Gorge had been told to me oft. It slept in the great pool where the whirlpool formed in flood-time and only came out for prey when the depths were stirred by a monstrous flood such as this one, the natives said.

“Why did you tell me she was your sister?” I demanded.

“We made it up, she and I. She was wedded, as the priest told you, but to me. I was listening in the bamboos when you planned your trip here from Karen that night after the priest cursed you from the door of Siva’s temple. I heard him curse you and saw you turn down the path to our hut. If you had slain the python in the temple, without me helping, she would have been freed. We planned that you should make love, a little. Enough so you would kill the great snake and win her from it; I to come after and take her. But you won her whole heart, curse you—”

Up went his hand to slay. While he had raved and chattered at me, my head had been clearing. As he stiffened for the death stroke, I reached for the down-coming hand and caught his wrist—the wrist whose sinewy muscles were driving the knife home. I held his arm back. He clutched for my throat with his other hand. We strove, and I rolled him and came on top. Up I surged, dragging him with me. With one awful thrust I sent him crashing against the wall.

He had barely come to rest against the teak beams before his hand went up and I dodged—just as his knife whizzed past my ear. Plucking the great dagger of Ali Beg from my bosom, I cast it, in the manner of the Inner Mongolian Mohammedans. The great blade plunged forward. I had pinned him to the wall as a butterfly collector pins a specimen to a card in his collecting box.

I stepped forward to get my dagger. Pra Oom Bwaht, his throat full of blood, his heart seared with black hatred, glared at me.

“The Curse of Siva remain on you and yours....”

So he died.

Plucking my dagger from him, I kicked over the glowing brazier and raced for the rock spit’s end as he crashed down—mere battered clay.

As I came to it, the last of the rain for the night whipped my face, reviving me. The moon peeped forth. There was no teak log there!

Another rift in the clouds made plain my error. The flood was over all former flood-marks. The teak log, as the moon’s second peep showed, was on the point of rocks, but they were now in the stream, many paces from the present shore-line. The log, caught on the jagged stones, hung and swayed. It was just on the point of going out. I could see a dark mass, midway of the log. “It is Nagy N’Yang,” I thought. The hut was blazing now from the brazier’s scattered coals, giving me plenty of light.

I glanced about the rock spit. A few paces to the right something black showed in the gloom. I went to it quickly, hoping to find a boat. It was a great chest. Feeling for the key or handle, I clutched a catch. I turned it, threw up the lid, just as the moon came forth.

Out of the depths of the box reared a great python, hissing horribly. I recoiled in terror. The box, as I saw in the moon-glow, was the snake box of Karen temple, the one in which Nagy N’Yang’s serpent had been kept.

Pra Oom Bwaht had had it carried to Kalgai Gorge and also to our rock spit that night to suit some of his own black schemes of vengeance. His bearers had carried the box unwittingly. While I trembled, the great snake glided to the river’s brink and disappeared. I now had the big chest and thought to use it as a rough boat to rescue my love.

Then I turned to view the teak log again. I tugged at the chest. It was too heavy for me. Another fitful rift of moonlight came, and I saw the giant teak log sway. Without waiting for more ill fortune, I plunged into the river and swam through the swirling eddies for the log.

I just made it. But at the touch of my numbed finger on its root ends, it started. The mere touch was enough to set it adrift. I clutched, caught a root fiber, held, edged along the rootlet till I had a better hold, drew myself up on to the root end of the huge log—and then heard the sobbing moan of Kalgai whirlpool.

Already we were at the pool’s edge. The log began to whirl and sway. I made a prayer for my Laos girl, that she might be unconscious during the plunge below. If she were, she would live, as she would not be breathing. As for me, I felt I could hold my breath the two minutes necessary. I often had seen the logs go down the suck-hole and come up. The average time was two minutes for that. What happened to them under the pool I had no means of knowing. I hoped to be able to cling to the log. The girl was bound fast.... The log up-ended and went down!

We swirled through great depths, and often I felt us hit against rocks and other logs in the lower silences. At the pit’s bottom there seemed no sound, but on the way down and up there was a great roaring. It seemed that my lungs would burst. But I kept my breath, having, as you see, great lung space. We began to rise, and as I felt it, something slowed us down. I felt weak and was about to drop off when something bound me to the great log, pressing me tightly against the mass of roots. So we shot into the moonlight.

I was wrapped in the folds of the mighty python, who had thrown a coil about the tree-trunk in the lowest depths of the pool! That immense weight it was that had kept us from emerging sooner. We had come up below the maelstrom upon emerging.

My right arm was free. I reached my belt with it and found my dagger there. In the moonlight, over the coils of the monster, I could see the ivory-white face of my Laos girl as she lay out on the huge log like a crushed lily. I could not tell if she still lived or had died.

The motion of reaching for my dagger aroused the python. It thrust its head back toward my face, questing with its tongue, that queer organ with which it sees in the dark. I felt the darting, forked terror on my dripping features. The python threw back its coil a bit and thrust at my forehead with its wedge-shaped head, using the python’s death stroke. I had still sense enough to draw my head to one side, but not before the hornlike, rounded head-front had dazed me with a glancing blow on the brow, where the mark of Siva had been tattooed by Nagy N’Yang.

Again I saw the beast draw back its head for a surer stroke. As it struck, I held the dagger true in front of its oncoming head. The force of the blow, not my strength, caused the blade of the dagger to sink into the immense, hard, tense neck-muscles, through and through. The snake, furious with pain, stricken to death, in one awful convulsive struggle cast itself into the raging Salwin, taking the dagger of Ali Beg with it. Why it did not take me down in its coils, I know not....

Yes, I am sweating now. I feel better. My head is clearer....

I wish Nagy N’Yang were here to lay her cool, ivory-white hand on my forehead where the python’s wedge-shaped head crashed against mine—on the black mark of Siva....

But my fever is breaking.

Yes, I feel easier, much easier....

Yes, that is all of my story....

What? Ali Beg found us together on a giant teak log at the river’s bend at Maung Haut, where he had stopped to trade? And, tightly clasped in Nagy’s hand was something strange? Show it me!

It is the belly scale of a great river python.

Burn it! Hold the night taper flame to it! Ah, that ends the fat priest’s evil spell!

Where is Ali Beg? Here! And Nagy? Here, too!!

Wheel our cots together, ma’am!

Only let me clasp her hand again. Thanks; it is warm; she is alive!

No; we won’t go up-country again. Why? Because when our first child comes, I want it born outside—out from under the shadow of the dread Curse of Siva!






This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

It also appeared in "The Best Short Stories of 1918."

The Knight's Move by Katharine Fullerton Gerould

THE KNIGHT'S MOVE

By KATHARINE FULLERTON GEROULD
From The Atlantic Monthly.

At first it was considered refined to refuse. One or two excursionists, awed by the superfluity of heliotrope ribbon, said feebly, "Don't rob yourself."

But Mrs. Tuttle met this restraint with practised raillery. "What you all afraid of? It ain't poisoned! I got more where this come from." She turned to the younger people. "Come one, come all! It's French-mixed."

Meanwhile Mrs. Bean and Mrs. Tinneray, still aloof and enigmatic, paced the deck. Mrs. Tuttle, blue feathers streaming, teetered on her high heels in their direction. Again she proffered the box. One of the cynical youths with the ivory-headed canes was following her, demanding that the parrot be fed a caramel. Once more the sky-blue figure bent over the ornate cage; then little Mrs. Bean looked at Mrs. Tinneray with a gesture of utter repudiation.

"Ain't she terrible?"

As the steamboat approached the wharf and the dwarf pines and yellow sand-banks of Chadwick's Landing, a whispered consultation between these two ladies resulted in one desperate attempt to probe the heart of Mabel Hutch that was. Drawing camp-stools up near the vicinity of the parrot's cage, they began with what might to a suspicious nature have seemed rather pointed speculation, to wonder who might or might not be at the wharf when the Fall of Rome got in.

Once more the bottle of cologne was produced and handkerchiefs genteelly dampened. Mrs. Bean, taking off her green glasses, polished them and held them up to the light, explaining, "This here sea air makes 'em all of a muck."

Suddenly she leaned over to Mrs. Tuttle with an air of sympathetic interest.

"I suppose—er—your sister Hetty'll be comin' on board when we get to Chadwick's Landing—her and her husband?"

Mrs. Tuttle fidgeted. She covered Romeo's cage with a curious arrangement like an altar-cloth on which gay embroidered parrakeets of all colors were supposed to give Romeo, when lonely, a feeling of congenial companionship.

Mrs. Bean, thus evaded, screwed up her eyes tight, then opened them wide at Mrs. Tinneray, who sat rigid, her gaze riveted upon far-off horizons, humming between long sighs a favorite hymn. Finally, however, the last-named lady leaned past Mrs. Bean and touched Mrs. Turtle's silken knee, volunteering,

"Your sister Hetty likes the water, I know. You remember them days, Mis' Tuttle, when we all went bathin' together down to old Chadwick's Harbor, afore they built the new wharf?"

Mrs. Tinneray continued reminiscently.

"You remember them old dresses we wore—no classy bathin'-suits then—but my—the mornings used to smell good! That path to the shore was all wild roses and we used to find blueberries in them woods. Us girls was always teasin' Hetty, her bathin'-dress was white muslin and when it was wet it stuck to her all over, she showed through—my, how we'd laugh, but yet for all," concluded Mrs. Tinneray sentimentally, "she looked lovely—just like a little wet angel."

Mrs. Tuttle carefully smoothed her blue mitts, observing nervously, "Funny how Mis' Tinneray could remember so far back."

"Is Hetty your sister by rights," suavely inquired Mrs. Bean, "or ony by your Pa's second marriage, as it were?"

The owner of the overestimated parrot roused herself.

"By rights," she admitted indifferently, "I don't see much of her—she married beneath her."

The tip of Mrs. Tinneray's nose, either from cologne inhalings or sunburn, grew suddenly scarlet. However she still regarded the far-off horizons and repeated the last stanza of her hymn, which stanza, sung with much quavering and sighing was a statement to the effect that Mrs. Tinneray would "cling to the old rugged cross." Suddenly, however, she remarked to the surrounding Summer air,

"Hen Cronney is my second cousin on the mother's side. Some thought he was pretty smart until troubles come and his wife was done out of her rights."

The shaft, carefully aimed, went straight into Mrs. Turtle's blue bosom and stuck there. Her eyes, not overintelligent, turned once in her complacent face, then with an air of grandiose detachment, she occupied herself with the ends of her sky-blue automobile veil.

"I'll have to fix this different," she remarked unconcernedly, "or else my waves'll come out. Well, I presume we'll soon be there. I better go down-stairs and primp up some." The high heels clattered away. Mrs. Bean fixed a long look of horror on Mrs. Tinneray, who silently turned her eyes up to heaven!

As the Fall of Rome churned its way up to the sunny wharf of Chadwick's Landing, the groups already on the excursion bristled with excitement. Children were prepared to meet indulgent grandparents, lovers their sweethearts, and married couples old school friends they had not seen for years. From time to time these admonished their offspring.

"Hypatia Smith, you're draggin' your pink sash, leave Mommer fix it. There now, don't you dare to set down so Grammer can see you lookin' good."

"Lionel Jones, you throw that old pop-corn overboard. Do you want to eat it after you've had it on the floor?"

"Does your stomach hurt you, dear? Well, here don't cry Mommer'll give you another cruller."

With much shouting of jocular advice from the male passengers the Fall of Rome was warped into Chadwick's Landing and the waiting groups came aboard. As they streamed on, bearing bundles and boxes and all the impedimenta of excursions, those already on board congregated on the after-deck to distinguish familiar faces. A few persons had come down to the landing merely to look upon the embarkation.

These, not going themselves on the excursion, maintained an air of benevolent superiority that could not conceal vivid curiosity. Among them, eagerly scanning the faces on deck was a very small thin woman clad in a gingham dress, on her head a battered straw hat of accentuated by-gone mode, and an empty provision-basket swinging on her arm. Mrs. Tinneray peering down on her through smoked glasses, suddenly started violently. "My sakes," she ejaculated, "my sakes," then as the dramatic significance of the thing gripped her, "My—my—my, ain't that terrible?"

Solemnly, with prunella portentousness, Mrs. Tinneray stole back of the other passengers leaning over the rail up to Mrs. Bean, who turned to her animatedly, exclaiming,

"They've got a new schoolhouse. I can just see the cupola—there's some changes since I was here. They tell me there's a flag sidewalk in front of the Methodist church and that young Baxter the express agent has growed a mustache, and's got married."

Mrs. Tinneray did not answer. She laid a compelling hand on Mrs. Bean's shoulder and turned her so that she looked straight at the small group of home-stayers down on the wharf. She pointed a sepulchral finger,

"That there, in the brown with the basket, is Hetty Cronney, own sister to Mis' Josiah Tuttle."

Mrs. Bean clutched her reticule and leaned over the rail, gasping with interest.

"Ye don't say—that's her? My! My! My!"

In solemn silence the two regarded the little brown woman so unconscious of their gaze. By the piteous wizened face screwed up in the sunlight, by the faded hair, nut-cracker jaws, and hollow eyes they utterly condemned Mrs. Tuttle, who, blue feathers floating, was also absorbed in watching the stream of embarking excursionists.

Mrs. Tinneray, after a whispered consultation with Mrs. Bean went up and nudged her; without ceremony she pointed,

"Your sister's down there on the wharf," she announced flatly, "come on over where we are and you can see her."

Frivolous Mrs. Tuttle turned and encountered a pair of eyes steely in their determination. Re-adjusting the gold cage more comfortably on its camp-stool and murmuring a blessing on the hooked-beak occupant, the azure lady tripped off in the wake of her flat-heeled friend.

Meanwhile Mr. Tinneray, standing well aft, was calling cheerfully down to the little figure on the wharf.

"Next Summer you must git your nerve up and come along. Excursions is all the rage nowadays. My wife's took in four a'ready."

But little Mrs. Cronney did not answer. Shading her eyes from the sun glare, she was establishing recognizance with her cerulean relative who, waving a careless blue-mitted hand, called down in girlish greeting,

"Heigho, Hetty, how's Cronney? Why ain't you to the excursion?"

The little woman on the wharf was seen to wince slightly. She shifted her brown basket to the other arm, ignoring the second question.

"Oh, Cronney's good—ony he's low-spirited—seems as tho he couldn't get no work."

"Same old crooked stick, hey?" Mrs. Tuttle called down facetiously.

Mrs. Bean and Mrs. Tinneray stole horrified glances at each other. One planted a cotton-gloved hand over an opening mouth. But little Mrs. Cronney, standing alone on the pier was equal to the occasion. She shook out a small and spotless handkerchief, blowing her nose with elegant deliberation before she replied,

"Well—I don't know as he needs to work all the time; Cronney is peculiar, you know, he's one of them that is high-toned and nifty about money—he ain't like some, clutching onto every penny!"

By degrees, other excursionists, leaning over the railing, began to catch at something spicy in the situation of these two sisters brought face to face. At Mrs. Cronney's sally, one of the funny men guffawed his approval. Groups of excursionists explained to each other that that lady down there, her on the wharf, in the brown, was own sister to Mrs. Josiah Tuttle!

The whistle of the Fall of Rome now sounded for all aboard. It was a dramatic moment, the possibilities of which suddenly gripped Mrs. Tinneray. She clasped her hands in effortless agony. This lady, as she afterward related to Mrs. Bean, felt mean! She could see in her mind's eye, she said, how it all looked to Hetty Cronney, the Fall of Rome with its opulent leisurely class of excursionists steaming away from her lonely little figure on the wharf; while Mabel Tuttle, selfish devourer of the Hutches' substance and hair to everything, would still be handing aroun' her boxes of French-mixed and talking baby talk to that there bird!

At the moment, Mrs. Tinneray's mind, dwelling upon the golden cage and its over-estimated occupant, became a mere boiling of savage desires. Suddenly the line of grim resolution hardened on her face. This look, one that the Tinneray children invariably connected with the switch hanging behind the kitchen door, Mr. Tinneray also knew well. Seeing it now, he hastened to his wife.

"What's the matter, Mother, seasick? Here I'll git you a lemon."

Mrs. Tinneray, jaw set, eyes rolling, was able to intimate that she needed no lemon, but she drew her husband mysteriously aside. She fixed him with a foreboding glare, she said it was a wonder the Lord didn't sink the boat! Then she rapidly sketched the tragedy—Mrs. Tuttle serene and pampered on the deck, and Hetty Cronney desolate on the wharf! She pronounced verdict.

"It's terrible—that's what it is!"

Mr. Tinneray with great sagacity said he'd like to show Mabel Tuttle her place—then he nudged his wife and chuckled admiringly,

"But yet for all, Hetty's got her tongue in her head yet—say, ain't she the little stinger?"

Sotto voce Mr. Tinneray related to his spouse how Mabel Tuttle was bragging about her brick house and her shower-bath and her automobile and her hired girl, and how she'd druv herself and that there bird down to Boston and back.

"Hetty, she just stands there, just as easy, and hollers back that Cronney has bought a gramophone and how they sets by it day and night listening, and how it's son and daughter to 'em. Then she calls up to Mabel Tuttle, 'I should think you'd be afraid of meddlin' with them ottermobiles, your time of life.'"

Mr. Tinneray choked over his own rendition of this audacity, but his wife sniffed hopelessly.

"They ain't got no gramophone—her, with that face and hat?—Cronney don't make nothing; they two could live on what that Blue Silk Quilt feeds that stinkin' parrot."

But Mr. Tinneray chuckled again, he seemed to be possessed with the humor of some delightful secret. Looking carefully around him and seeing every one absorbed in other things he leaned closer to his wife.

"She's liable to lose that bird," he whispered. "Them young fellers with the canes—they're full of their devilment—well, they wanted I shouldn't say nothing and I ain't sayin' nothing—only—"

Fat Mr. Tinneray, pale eyes rolling in merriment, pointed to the camp-stool where once the parrot's cage had rested and where now no parrot-cage was to be seen.

"As fur as I can see," he nudged his wife again, "that bird's liable to get left ashore."

For a moment Mrs. Tinneray received this news stolidly, then a look of comprehension flashed over her face. "What you talkin' about, Henry?" she demanded. "Say, ain't you never got grown up? Where's Manda Bean?"

Having located Mrs. Bean, the two ladies indulged in a rapid whispered conversation. Upon certain revelations made by Mrs. Bean, Mrs. Tinneray turned and laid commands upon her husband.

"Look here," she said, "that what you told me is true—them young fellers—" she fixed Mr. Tinneray with blue-glassed significant eyes, adding sotto voce, "You keep Mabel Tuttle busy."

Fat Mr. Tinneray, chuckling anew, withdrew to the after-rail where the azure lady still stood, chained as it were in a sort of stupor induced by the incisive thrusts of the forlorn little woman on the wharf. He joined in the conversation.

"So yer got a gramophone, hey," he called down kindly—"Say, that's nice, ain't it?—that's company fer you and Cronney." He appealed to Mrs. Tuttle in her supposed part of interested relative. "Keeps 'em from gettin' lonesome and all," he explained.

That lady looking a pointed unbelief, could not, with the other excursionists watching, but follow his lead.

"Why—er—ye-ess, that's rill nice," she agreed, with all the patronage of the wealthy relative.

Little Mrs. Cronney's eyes glittered. The steamboat hands had begun lifting the hawsers from the wharf piles and her time was short. She was not going to be pitied by the opulent persons on the excursion. Getting as it were into her stride, she took a bolder line of imagery.

"And the telephone," looking up at Mr. Tinneray. "I got friends in Quahawg Junction and Russell Center—we're talkin' sometimes till nine o'clock at night. I can pick up jelly receipts and dress-patterns just so easy."

But Mrs. Tuttle now looked open incredulity. She turned to such excursionists as stood by and registered emphatic denial. "Uh-huh?" she called down in apparent acceptance of these lurid statements, at the same time remarking baldly to Mr. Tinneray, who had placed himself at her side,

"She ain't got no telephone!"

At this moment something seemed to occur to little Mrs. Cronney. As she gave a parting defiant scrutiny to her opulent sister her black eyes snapped in hollow reminiscence and she called out,

"Say—how's your parrot? How's your beau—Ro-me-o?"

At this, understood to be a parting shot, the crowd strung along the rail of the Fall of Rome burst into an appreciative titter. Mrs. Tuttle, reddening, made no answer, but Mr. Tinneray, standing by and knowing what he knew, seized this opportunity to call down vociferously,

"Oh—he's good, Romeo is. But your sister's had him to the excursion and he's got just a little seasick comin' over. Mis' Tuttle, yer sister, is going to leave him with you, till she can come and take him home, by land, ye know, in her ottermobile—she's coming to get you too, fer a visit, ye know."

There was an effect almost as of panic on the Fall of Rome. Not only did the big whistle for "all aboard" blow, but some one's new hat went overboard and while every one crowded to one side to see it rescued, it was not discovered that Romeo's cage had disappeared! In the confusion of a band of desperadoes composed of the entire group of cynical young men with ivory-headed canes, seized upon an object covered with something like an altar-cloth and ran down the gangplank with it.

Going in a body to little Mrs. Cronney, these young men deposited a glittering burden, the gold parrot-cage with the green bird sitting within, in her surprised and gratified embrace. Like flashes these agile young men jumped back upon the deck of the Fall of Rome just before the space between wharf and deck became too wide to jump. Meanwhile on the upper deck, before the petrified Mrs. Tuttle could open her mouth, Mr. Tinneray shouted instructions,

"Your sister wants you should keep him," he roared, "till she comes over to see you in her ottermobile—to—fetch—him—and—git—you—for—a—visit!"

Suddenly the entire crowd of excursionists on the after-deck of the Fall of Rome gave a rousing cheer. The gratified young men with the ivory-headed canes suddenly saw themselves of the age of chivalry and burst into ragtime rapture; the excursion, a mass of waving flags and hats and automobile veils, made enthusiastic adieu to one faded little figure on the wharf, who proud and happy gently waved back a gleaming parrot's cage!

It was Mr. Tinneray, dexterous in all such matters, that caught at a drooping cerulean form as it toppled over.

"I know'd she'd faint," the pale-eyed gentleman chuckled. He manfully held his burden until Mrs. Tinneray and Mrs. Bean relieved him. These ladies, practised in all smelling-bottle and cologne soothings, supplied also verbal comfort.

"Them young fellows," they explained to Mrs. Tuttle, "is full of their devilment and you can't never tell what they'll do next. But ain't it lucky, Mis' Tuttle, that it's your own sister has charge of that bird?"

When at last a pale and interesting lady in blue appeared feebly on deck, wiping away recurrent tears, she was received with the most perfect sympathy tempered with congratulations. There may have been a few winks and one or two nods of understanding which she did not see, but Mrs. Tuttle herself was petted and soothed like a queen of the realm, only, to her mind was brought a something of obligation—the eternal obligation of those who greatly possess—for every excursionist said,

"My, yes! No need to worry—your sister will take care of that bird like he was one of her own, and then you can go over in yer ottermobile to git him—and when you fetch him you can take her home with yer—fer a visit."




This story was analysed in "How to Study The Best Short Stories by Blanche Colton Williams (1919)."

Also, included in "The Best Short Stories of 1917"